The Brontë society is in the midst of celebrating the bicentennials of the births of Charlotte, Branwell, Emily, and Anne Brontë, with upgrades to the museum, displays from the BBC special “To Walk Invisible”, and artistic expressions of their work.
In one art piece an artist named Tamar Stone has created a small bed, layered in blankets, shams covering pillows, and a thick, lumpy mattress, each embroidered with the words of these four siblings from their written work. In the artist statement, she writes: Women have always been associated with the home, hearth, and domestic duties. The more I learn about women’s lives being constricted by their clothes and social mores, combined with my interest in the history of housework, the more I have been exploring what was happening to women in their homes and how they were prisoners within their ‘upholstered cages’. In the past our life cycle began and ended in the bed of our home: we were born there and we died there. Today that life cycle often begins and ends in an institutional bed.